Italian High Renaissance Painter, ca.1450-1525  Related Paintings of CARPACCIO, Vittore :. | St Jerome and the Lion dsf | Scenes from the Life of St Ursula:The Pilgrims are met by Pope Cyriacus in front of the Walls of Rome | Presentation of Jesus in the Temple (detail) dsf | Arrival of the English Ambassadors (detail) g | Presentation of Jesus in the Temple (detail) fdg |
Related Artists:
Pieter Neefs
(also Neefs; 23 May 1620-after 1675) was a Flemish Baroque painter who specialized in architectural interiors of churches.Born and active in Antwerp, he was trained by his father, Pieter Neeffs I.Their works, in fact, are very similar and attributions of their individual hands can be difficult. His brother Ludovicus Neefs has also made similar paintings.
Master of the Schotten Altarpiece
was a German painter, active in Nuremberg during the 14th and 15th centuries. His name is derived from an altarpiece dated to about 1390, which once stood in the church of St. Mary in Schotten. The altarpiece was dismantled in 1828.
Gregorio Lopes
Gregorio Lopes (c. 1490 - 1550) was one of the most important Renaissance painters from Portugal. Gregorio Lopes was educated in the workshop of Jorge Afonso, the court painter of King Manuel I. Later he himself became court painter for both Manuel I and for his successor, John III. In 1514 he married the daughter of Jorge Afonso, and in 1520 was knighted by Prince Jorge de Lencastre and entered the Order of Santiago. The work of Gregorio Lopes mainly consists of painted religious altarpieces for various churches and monasteries in central Portugal. Between 1520 and 1525 he worked (together with Jorge Leal) in painting altarpieces for the Saint Francis Convent of Lisbon. Also in the 1520s he painted panels for the Church of Paraeso (Paradise), also in Lisbon. In his first fase, Gregorio Lopes also worked in Sesimbra, Setebal and in the Monastery of Ferreirim, in this latter case together with Cristevao de Figueiredo and Garcia Fernandes. The painter moved in the 1530s to the city of Tomar, where he painted various panels for the Round Church of the Convent of Christ (1536 - 1539) and the main altarpiece of the Church of Saint John the Baptist (1538 - 1539). His last known works include altarpieces for the Convent of Santos-o-Novo in Lisbon (1540) and the Valverde Convent, near Évora (1545).